Skip to main content

Digital Trends may earn a commission when you buy through links on our site. Why trust us?

Jaeden Martell on Mr. Harrigan’s Phone, Stephen King, and the horrors of technology

Jaeden Martell is no stranger to the world of Stephen King. As young Bill Denbrough in 2017’s It and 2019’s It: Chapter Two, Martell, along with a cast of talented young actors such as Stranger Things‘ Finn Wolfhard and Jack Dylan Grazer of Shazam!, battled the horrors of suburbia, puberty, and Pennywise the Dancing Clown.

Martell is back in King’s haunted Maine stomping grounds with Mr. Harrigan’s Phone on Netflix. Co-starring Donald Sutherland, the film focuses on the relationship between Sutherland’s reclusive Mr. Harrigan and Martell’s shy, mournful teenager, Craig, and what happens when Mr. Harrington keeps calling his young friend even after he dies. In a conversation with Digital Trends, Martell discusses the film’s many themes, how it’s not just a horror film, and what other Stephen King film adaptation he would like to star in.

Note: this interview has been edited for length and clarity.

Digital Trends: What drew you to Mr. Harrigan’s Phone and, in particular, to the role of Craig?

Jaeden Martell: I was immediately drawn to the movie because it’s not necessarily a horror film. It utilizes suspense quite effectively and didn’t overdo it. It felt very real to me. Craig is a very complex character and how he reacts to certain things that happen in the film felt genuine.

Craig gives Mr. Harrigan an iPhone in Mr. Harrigan's Phone.
Image used with permission by copyright holder

Were you familiar with the story before you joined the project?

No, I wasn’t. After I read the script, I read the novella in the collection, If It Bleeds. I loved it. I felt very attached to it and sort of used it as a diary for Craig. It allowed me to get a more in-depth look into him and why he does what he does in the movie.

With this film and your role as Bill in the two It movies, you’re become a Stephen King film mainstay now. Do you have a favorite Stephen King novel? And is there a future film adaptation of one of King’s stories that you’d like to be a part of?

I haven’t read a lot of Stephen’s books. Honestly, my favorite book of his is On Writing. He talks about his childhood and his personal life, which I think would be really interesting to see on-screen. It would be interesting to play him as a young writer just starting out.

One of the pleasant surprises for me was that the film paid a lot of attention to your relationship with Donald Sutherland’s character, Mr. Harrigan. What was it like working with such a respected actor?

It was an amazing experience. I feel very fortunate to have worked with him because I got to see his process and how his brain works. It was the ultimate educational experience for me to able to get close to him and hear the stories he has to tell.

When you work with someone legendary like that, you don’t expect and you don’t feel like you deserve their time because they’ve been doing this so long. He’s worked with some of he greatest actors and the greatest directors who have ever lived. And he is one of them. He has so much wisdom, so I learned a lot from him.

Craig takes a phone from a corpse in Mr. Harrigan's Phone.
Image used with permission by copyright holder

Like you mentioned earlier, the film is more than a horror story. It’s about Craig grieving for his mother or about technology intruding on our lives via the iPhone. Was there a particular theme that interested you or was it the complete package: the horror aspects, King’s commentary on technology, Craig’s relationship with his parents, etc.?

It was the complete package for me. In particular, I really liked how the film had something to say about the dangers of spreading disinformation and the pitfalls of social media. Craig and Mr. Harrigan are a part of the problem and they had to learn to evolve out of it. In the end, Craig doesn’t cut out technology completely, but he’s cautious about it. Accept the benefits, but also can’t get too caught up in it.

What do you want viewers to take away from this whole mess after they’ve watched it?

The point of the film is to find a balance in one’s life. Craig believes everything Mr. Harrigan says because he’s older and, therefore, wiser. Even when Mr. Harrigan dies, Craig continues to rely on him to solve his problems. Craig learns that he can take some of Mr. Harrigan’s advice and learn from his mistakes.

Mr. Harrigan’s Phone | Official Trailer | Netflix

I liked that journey of Craig figuring that out. It’s finding balance in everything: advice, technology, everything. That’s how I try to live. I’m always trying to find a balance between respecting what technology gives us and the powers that it gives us in communication and the knowledge that comes with the information, but also being wary of its effect on us.

It’s the same as what Craig needs from Mr. Harrigan. He doesn’t need to live as Harrigan did, which caused him to be removed from everyone and be feared by everyone.

Mr. Harrigan’s Phone is currently streaming on Netflix.

Jason Struss
Section Editor, Entertainment
Jason is a writer, editor, and pop culture enthusiast whose love for cinema, television, and cheap comic books has led him to…
Slash/Back director talks homegrown horror and the film’s amazing score
Tasiana Shirley sits on top of a shipping container with a rifle in a scene from Slash/Back.

It's typically a bit cliché to describe a movie as a "labor of love" for its filmmaker, but that really is the case for Slash/Back director Nyla Innuksuk and her story of teenage girls in a remote Arctic community battling an alien invader.

Set and shot in the Inuit hamlet of Pangnirtung in Nunavut, Canada, Slash/Back features a cast almost entirely composed of local residents -- including its teenage (and preteen) stars -- with the community they live in serving as the focal point of the film's fictional invasion by terrifying, tentacled creatures who wear their victims' skins. Innuksuk, who grew up in the Inuit hamlet of Igloolik, shot the film in "Pang" (as it is informally known) with a crew of 50 people in 2019, determined to showcase the beauty of the people, place, and culture of the Arctic region.

Read more
Director K. Asher Levin on genre filmmaking and his new horror movie, Slayers
Thomas Jane and Kara Hayward point crossbows in a scene from Slayers.

K. Asher Levin is first and foremost a fan of cinema. What started as a conversation to promote Slayers quickly turned into a discussion about genre filmmaking and the legendary filmmakers of the1970s. For the record, it's hard to disagree with Levin's point about how Martin Scorsese is the greatest genre filmmaker of all time. Nevertheless, Levin is a student of the game, and Slayers is his attempt to inspire a new generation of genre fans.

Written and directed by Levin, Slayers follows Elliot Jones (Thomas Jane), a vampire hunter whose sole mission is to hunt down the creatures who killed his daughter. After years of hunting, Jones has found those responsible for his daughter's death, but needs help infiltrating their layer. Enter "The Stream Team," a group of clout-chasing social media superstars who lack self-awareness and humility. When the team is invited to a billionaire's estate, they quickly learn the compound is a breeding ground for vampires. Forced to team up with Flynn (Kara Hayward), a gamer on the team, Jones conducts the hunt of a lifetime inside the house to avenge his daughter. Framed as a vampire movie, Slayers is also a unique takedown of the media and its capitalistic principles.

Read more
John Lee Hancock on directing Mr. Harrigan’s Phone and the enduring appeal of Stephen King
John Lee Hancock directs two actors in Mr. Harrigan's Phone.

There's a good chance you've seen a film by John Lee Hancock. The veteran writer/director has been behind some of the most critically acclaimed studio movies of the last three decades. He wrote the Clint Eastwood movies A Perfect World in 1993 and Midnight in the Garden of Good and Evil in 1997. Later, he directed the baseball movie The Rookie in 2002, the 2004 western The Alamo, the Oscar-nominated 2009 drama The Blind Side, and, most recently, the 2021 thriller The Little Things with Denzel Washington and Jared Leto.

With Mr. Harrigan's Phone on Netflix, Hancock finally gets to direct a proper horror film. In a conversation with Digital Trends, the director talks about his interest in adapting Stephen King, working with lead star Jaeden Martell, and how the film prioritizes the central relationship between Mr. Harrigan and Craig over cheap thrills.

Read more