Skip to main content

Samsung S95D OLED first look: a reflection on excellence

I recently traveled to New Jersey to visit Samsung for an up-close and personal look at the flagship TVs in its 2024 lineup, which includes Samsung’s 8K Neo-QLED and 4K Neo-QLEDs, and the reason we’re here today: the S95D.

The S95D is Samsung’s flagship OLED TV for 2024, and it has been the subject of some consternation for some TV enthusiasts because it has a new anti-glare or anti-reflective screen coating. Is there any merit to that concern? Has it overshadowed how good this TV could actually be thanks to a new 3rd generation QD-OLED panel? Is it any brighter? Should we be excited about this TV?

I’m going to answer all of those questions – and you might be a little surprised by what I’m about to say.

Samsung S95D OLED First Look | Way Better Than You Think

Glaringly unapparent

Let’s not waste any time here, OK? I’m going right for the jugular. If you have been worried that this TV’s picture quality would suffer in any meaningful way due to the implementation of Samsung’s new anti-glare technology, then let me lay those concerns to rest right now.

This TV looks phenomenal. There has been no sacrifice to brightness, no sacrifice to richness, no apparent loss of gloss – wet stuff still looks wet, shiny stuff still looks shiny. It’s absolutely incredible.

A backlit giant lipstick shown on a Samsung S95D OLED.
Zeke Jones / Digital Trends

First, let me reiterate what I said at CES, but perhaps with some more gusto: this new anti-glare technology Samsung has developed is where exterior light goes to die. When we filmed the 8K and 4K flagships for our video coverage, we had to be clever about where we placed our studio lights because the lights we brought in for the shoot were so powerful and bright that, even when aimed at the ceiling, we were still getting some light spillage on the panel – and those TVs have the anti-glare tech that has earned Samsung a reputation as being the most bright-room friendly TVs you can buy.

But the new anti-glare tech is like black magic. It’s like Vantablack — the carbon nanotube stuff? If you’ve ever seen that, then you know – it’s like a black hole. Light goes in, but it doesn’t come out.

Our studio light puts out 56,000 lux at 1 meter. It will temporarily blind you if you look at it. The S95D seems to be completely unaware, not only of the brightness of the light, but of its very existence.

A glare from lights is seen on Samsung S95D OLED TV displaying a natural vista.
Zeke Jones / Digital Trends

It’s the most impressive anti-glare and anti-reflection I’ve ever seen on a display. Samsung deserves some huge props for making this.

Now, I know that at CES, in a side-by-side comparison, we saw what seemed like minimal loss of gloss or luster. But now that I’ve seen this TV alone, I know that it is not perceivable outside of a side-by-side comparison – we’ve talked about that before, where a side-by-side comparison skews your perception of your own power of perception.

Video of water looks wet; there’s tons of luster and shine there. I’d even go so far as to say it seems like it’s got more of a luster to it in the peak highlights. But maybe that’s because this is the brightest OLED overall that I’ve tested to date.

A person's bare back is shown on a Samsung S95D OLED TV.
Zeke Jones / Digital Trends

That’s right. Not only did the anti-glare implementation — which is notorious for sapping TVs of their potential brightness — not dim this TV, but it is actually far brighter than I expected it to be.

I would have given this TV a huge thumbs-up if we got the anti-glare and it was exactly as bright as the S95C last year. But we got better than that. This TV has the anti-glare, and it is brighter than last year.

Performance impressions

As I tested this TV, I got up to 1,750 nits peak white brightness from a 10% window, about 900 nits in an 18% window, and almost 300 nits full-screen white. Now, LG’s G3 and. presumably. G4 OLED can get brighter in the whites, I suppose. But the S95D’s real ace in the hole is its color brightness, which can exceed WRGB OLED-type panels while retaining saturation, which has always been what made QD-OLED TVs look extra special – but that effect has been ramped up a bit with this new model.

I’ll also mention that in Filmmaker Model with the Warm 1 color temperature selected – which, by the way, is not the default for Filmmaker Mode – the white balance, gamma, electro-optical transfer function (EOTF) tracking, and color accuracy measurements were stellar. I’m not sure why, but the Warm 2 color temperature setting did not yield nearly as accurate results. I’ve mentioned this to Samsung, and we’ll see if anything changes by the time this TV hits the streets.

Now, to be clear, this TV still needs a full review. While I was able to measure this and three other TVs, I was not able to do a super-deep dive. I am pretty happy with the lack of judder on 24 frames-per-second content for movie watching, and what I’m seeing from Samsung’s latest processors is better upscaling and cleaner presentation of low-resolution, low bit rate, and low bit-depth streaming content – though it remains to be seen how close Samsung can get to Sony’s processing chops in those regards.

The anti-glare makes this TV more bright-room friendly than most TVs on the market, I think.

I’ll also mention that while I tested the most accurate picture modes on this TV, Samsung does offer other picture modes that intentionally over-brighten the image, so if you like a brighter picture, this TV can certainly do that, no problem.

But I think the real great news here is that, even in its most accurate modes, this TV abates glare so well that you don’t have to over-brighten an image to get better perceived bright-room performance. Normally, we want to see a raised APL, or average picture level, so the picture is bright enough to clap back at the bright light in sun-soaked rooms. And this TV can do that, better than most OLEDs I’ve tested, but it doesn’t have to. The anti-glare makes this TV more bright room-friendly than most TVs on the market, I think.

A Samsung S95D OLED TV in a living room displaying an ocean vista.
Zeke Jones / Digital Trends

I mean, really, other than price, folks are just about out of excuses for not buying an OLED when this TV exists.

This is not a full review. I haven’t tested the gaming mode on this TV. I haven’t covered the changes to the Tizen smart OS or talked about how they make the experience better or worse. There’s a new Knox security chip we should talk about, as well as its merits as a smart home hub. I didn’t do a deep dive into its sound quality (it’s pretty great). So, for all those reasons, I can’t wait to get this TV in for review and try to find its hidden weaknesses – if it even has any – because from what I’ve seen so far, the S95D is a monumental achievement for Samsung.

Caleb Denison
Digital Trends Editor at Large Caleb Denison is a sought-after writer, speaker, and television correspondent with unmatched…
2023 OLED TV shootout: the big three battle and we all win
Samsung S95C Sony A95L LG G3 Best OLED 2023 (18)

The best OLED TVs of 2023 have now been pitted against each other in three organized shootout events. What in the world could I possibly add to the conversation at this point? Well, how about a different perspective?

I’m going to go out on a limb and bet that many of you are still trying to decide which of this year’s amazing TVs is best for you. Some of you are here because you have already bought one of these TVs and maybe you’re curious to hear what I have to say about your choice.

Read more
Samsung, Google are attacking Dolby Atmos’ monopoly on 3D sound, and it’s going to get ugly
Dolby Atmos Under attack.

When you think of immersive, 3D sound for movies and music, one name usually comes to mind: Dolby Atmos. Despite the existence of competing surround sound formats and technologies,like DTS:X, MPEG-H, Sony 360 Reality Audio, and Auro3D, they barely register when compared to the juggernaut that is Dolby Atmos. With strong (and growing) support from movie studios, music labels, streaming services, game consoles, smartphones, and audio equipment makers, there’s little doubt that Dolby Atmos and Dolby Atmos Music have become the de facto 3D sound standards.

And yet, if Google and Samsung get their way, Dolby Atmos’ reign as the king of immersive audio might be about to meet its biggest challenge to date. Together, the two tech giants have been quietly working on an open-source and royalty-free 3D sound format known by the awkward name Immersive Audio Model and Formats. But if history has taught us anything, it’s that format wars are rarely fought for the benefit of the public. And even a free version of Atmos that’s every bit as good as the original could face harrowing barriers to adoption.
Why do we need another Dolby Atmos?

Read more
This Samsung S90C OLED TV news is literally huge
A press image of the Samsung 83-inch S90C OLED television.

If you can get (read: afford) a 77-inch OLED television, do it. But Samsung now wants you to do one better with an 83-inch version of its S90C OLED television. And the price tag for that much 4K goodness? A rather not-unreasonable $5,400.

The new addition is available today and joins the 55-, 65-, and 77-inch models already in the lineup.

Read more