Linoleum review: a delicate, quietly moving sci-fi adventure
Jim Gaffigan plays two different characters in writer-director Colin West's quirky new sci-fi dramedy, Linoleum. The film is now playing in theaters.
The Consultant review: a darkly comic, disappointing thriller
The Consultant is a stylish but disappointing new workplace thriller. The Christoph Waltz-led series is now streaming on Amazon Prime Video.
We Have a Ghost review: Supernatural fun with a comb-over Casper
The family-friendly Netflix comedy We Have a Ghost doesn't break any new ground, but it still delivers a fun, satisfying adventure supported by a great cast.
Formula 1: Drive To Survive review: Season 5 gets a tune-up
The Netflix documentary series Formula 1: Drive to Survive gets a tune-up for season 5, and the result is a more rewarding, authentic season of racing drama.
Hello Tomorrow! review: a trivial retrofuturistic dramedy
Hello Tomorrow! is a charming, if shallow, retrofuturistic sci-fi dramedy series. Its first three episodes are available to stream now on Apple TV+.
Ant-Man and the Wasp: Quantumania review: more weird, less heart
Big in its ambition and scope, but stretched too thin, Ant-Man and the Wasp: Quantumania is an entertaining, middle-tier entry in the MCU.
Sharper review: the art of conning a con man
Sharper is a slick and stylish, but flawed con man thriller. The Sebastian Stan and Julianne Moore-led film premieres Friday, February 17 on Apple TV+.
Consecration review: Even bloody, gun-toting nuns can’t save this horror movie
Despite a promising beginning, the supernatural horror movie Consecration is brought down by a confusing and unsatisfactory climax.
Magic Mike’s Last Dance review: a slight but stylish fantasy
Magic Mike's Last Dance sends its franchise out on a fun, if slight, note. The Salma Hayek Pinault and Channing Tatum-led film is now playing in theaters.
80 for Brady review: a major comedic and dramatic fumble
80 for Brady is a creative misfire that fails to make the most out of its immensely talented leads. The film is now playing in theaters nationwide.
Knock at the Cabin review: Bautista lifts Shyamalan’s familiar apocalypse
Dave Bautista delivers a standout performance in Knock at the Cabin and elevates M. Night Shyamalan's apocalyptic thriller.
One Fine Morning review: a gentle, affecting character study
Léa Seydoux gives a quietly heartbreaking performance in One Fine Morning. The affecting new drama from Mia Hansen-Løve is now playing in theaters.
Infinity Pool review: a deep dive into depravity
Get your freak on in Brandon Cronenberg's strikingly original sci-fi satire Infinity Pool, starring Alexander Skarsgård and Mia Goth.
Shrinking review: 2023’s first great ensemble comedy
Shrinking stars Harrison Ford and Jason Segel as a pair of diametrically opposed therapists. The endearing new comedy series premieres January 27 on Apple TV+.
Poker Face review: a charming ode to a bygone TV era
Rian Johnson and Natasha Lyonne's Poker Face offers a clever twist on the classic TV detective format. It premieres January 26 on Peacock.
The Legend of Vox Machina season 2 review: bigger and bolder
The Legend of Vox Machina season 2 is bolder and more rewarding than the show's debut run. The Critical Role-inspired series returns January 20 on Amazon Prime.
Women Talking review: speaking truth to power
With a great acting ensemble and powerful script, Sarah Polley's Women Talking is a must-see movie for anyone who likes a good drama.
The Son review: an emotionally manipulative family drama
Hugh Jackman and Laura Dern turn in standout performances in Florian Zeller's emotionally manipulative new drama, The Son. The film hits theaters on January 20.
The Last of Us review: HBO breaks Hollywood’s video game curse
The Last of Us is an engaging, occasionally magnificent video game adaptation. The post-apocalyptic drama premieres Sunday, January 15 on HBO.
A Man Called Otto review: Tom Hanks anchors a sweet drama
Tom Hanks brings his usual charisma to the new family drama A Man Called Otto. The film is set to be released nationwide on Friday, January 13.
Shin Ultraman review: an ultrastrong hit of nostalgia
Come for the giant monster brawls, but stay for Shin Ultraman's quirky cinematography and wonderfully retro aesthetic.
The Drop review: let it go
Hulu's The Drop wants to be more funny and insightful than it is, and it ultimately delivers a disappointing satire on love and relationships.
Kaina of the Great Snow Sea review: a riveting anime worth your time
Outside of some occasionally stiff animation and uninspired character designs, Crunchyroll's Kaina of the Great Snow Sea is a riveting dose of originality.
Trigun Stampede review: a promising CG reboot of a classic anime
Time will tell how it will progress, but Crunchyroll's Trigun Stampede series looks to be a promising reimagination of the beloved anime franchise.
M3GAN review: a silly, self-aware horror comedy
M3GAN is a flawed, but mostly successful horror comedy thriller. The film is now playing in theaters.
The Old Way review: Nicolas Cage elevates dusty Western
Nicolas Cage's first Western doesn't blaze any new trails, but it does receive fine performances from its lead and co-star Ryan Kiera Armstrong.
The Pale Blue Eye review: an unpredictable gothic thriller
Harry Melling steals the show as Edgar Allan Poe in Scott Cooper's spooky gothic thriller, The Pale Blue Eye. The film premieres Friday, January 6 on Netflix.
White Noise review: bold, strange, and disappointing
Noah Baumbach's White Noise is a bold but deeply flawed adaptation of Don DeLillo's classic 1985 novel of the same name. The film is streaming now on Netflix.
Broker review: A tender, affecting family drama
Parasite star Song Kang-ho stars in director Hirokazu Kore-eda's moving new South Korean drama, Broker. The film hits theaters on Monday, December 26.
Babylon review: the magic and misery of the movies
Damien Chazelle's Babylon is a sprawling, ambitious Hollywood epic. The film, which stars Brad Pitt and Margot Robbie, hits theaters on December 23.
1923 review: an unremarkable Yellowstone prequel
Despite starring both Harrison Ford and Helen Mirren, the new Yellowstone prequel series, 1923, is already shaping up to be a forgettable drama.
Avatar: The Way of Water review: beautifully basic
James Cameron's long-awaited Avatar sequel, Avatar: The Way of Water, ups the ante visually but still puts spectacle over story.
Empire of Light review: A lackluster ode to the movies
Empire of Light is an ode to the movies that neither inspires nor rivets. It hits theaters on Friday, December 9.
Guillermo del Toro’s Pinocchio review: Gorgeous, no strings attached
Guillermo del Toro's Pinocchio is an ambitious, beautiful adaptation of Carlo Collodi's tale with as much to offer adults as it has for younger audiences.