Skip to main content

Mad Max: Fury Road composer to score upcoming Deadpool film

Even if you were a huge fan of Mad Max: Fury Road, you may not have realized just how much the frenzied, locomotive soundtrack helped keep you where George Miller wanted you: On the edge of your seat.

Tom Holkenborg (a.k.a., Junkie XL) scored that film and Coming Soon is reporting that he’ll soon be lending his talents to another big-ticket production.

The coveted composer will be scoring the upcoming, Tim Miller-helmed Deadpool film, which stars Ryan Reynolds as the titular “Merc with a Mouth.” How did we find out? How does anyone find anything out these days: Twitter.

On Saturday, Holkenborg took to the social network to express his excitement, tweeting out the unambiguous post you see embedded below.

We’re pretty psyched about this. One of Deadpool’s most interesting characteristics, of course, is his tenuous grip on sanity, and the artist currently known as Junkie XL has already proven that he can churn out the sort of frenetic, unpredictable beats that complement this kind of crazy.

For those unfamiliar with Deadpool’s off-the-wall persona, here’s what IMDB has to say about the plot of the film: “A former Special Forces operative turned mercenary is subjected to a rogue experiment that leaves him with accelerated healing powers and adopts the alter ego Deadpool.”

Holkenborg, who is from the Netherlands, has already worked on several blockbuster Hollywood films, including The Amazing Spider-Man 2, Man of Steel and The Dark Knight Rises. He will also be providing some Batman-specific music for Batman v Superman: Dawn of Justice.

While we don’t always give them the credit we deserve, composers can help make or break a film. Given his pedigree, we’re willing to bet that Holkenborg’s Deadpool score will do the former rather than the latter.

Deadpool also stars Morena Baccarin (Homeland), Ed Skrein (The Transporter Refueled), T.J. Miller (Silicon Valley), and Former Mixed Martial Artist Gina Carano (Fast & Furious 6). The film is set to hit theaters February 12, 2016.

Editors' Recommendations

Adam Poltrack
Adam is an A/V News Writer for Digital Trends, and is responsible for bringing you the latest advances in A/V…
Anya Taylor-Joy brings the heat in Furiosa: A Mad Max Saga’s first trailer
Anya Taylor-Joy as Furiosa in Furiosa: A Mad Max Saga.

It's not uncommon for directors to lose a step late in their careers. But George Miller seems to be a rare exception. Miller's first feature-length film was actually the first Mad Max in 1979, and he revitalized his career in 2015 with the widely acclaimed sequel, Mad Max: Fury Road. Now, Fury Road is finally getting its prequel spinoff, Furiosa: A Mad Max Saga. And if the first trailer is any indication, Miller's still got his signature touch at 78 years old.

FURIOSA : A MAD MAX SAGA | OFFICIAL TRAILER #1

Read more
Three Thousand Years of Longing review: George Miller takes a left turn off Fury Road
Idris Elba pleads with Tilda Swinton.

To what magic lamp, monkey’s paw, or wishing well does George Miller owe his career of improbable dream projects? On and off for decades, this Aussie writer-director and demolition derby-ist has wrangled bountiful resources in pursuit of offbeat glory, splurging top studio dollar on dubiously “family-friendly” menageries and increasingly elaborate dystopias. The pinnacle of his talent for turning a multiplex investment into a madman’s sandbox is, of course, his last movie, the staggering Mad Max: Fury Road, which was essentially a vision of what summer movies can be when made by real artists left to their own lunatic devices. What an impossible movie it was — and a tough act to follow, too.

So how has Miller followed his exhilarating epic of dirt, dust, fire, speed, and mayhem? As it turns out, with a change of pace. His new movie, Three Thousand Years of Longing, is at once vaster and more compact than his last one, trading an endless stretch of desert for a hotel room; a few days of action for a story that literally spans millennia; and a nonstop barrage of vehicular carnage for extended scenes of two characters in bathrobes, politely discussing the true nature of desire over tea and chickpea treats. And yet here, too, is an impossible movie — a strange and bewitching fairy tale for adults, unfashionable in its cerebral whimsy and mid-budget wizardry. You could say that the success of Fury Road paid for this more idiosyncratic fantasy, but that would be akin to arguing that Miller sold a unicorn to buy a leprechaun.

Read more
3 underrated (HBO) Max movies you should watch this weekend (June 28-30)
A girl looks at a boy in House at the End of the Street.

June is surprisingly over, and with it, a great month for movies comes to a satisfactory close. You've probably watched Inside Out 2 or Bad Boys: Ride or Die or maybe even The Bikeriders. From blockbusters to indie fare, the theatrical movie business has been robust and healthy.

The same goes for streaming. Netflix had a big hit with Richard Linklater's Hit Man, while Amazon Prime Video recently premiered the latest bonkers season of The Boys. HBO and Max have been quieter, but their robust library speaks volumes to the streamer's high quality. The following three films are older, but are just as worth your time as new hits like House of the Dragon season 2.
The Skin I Live In (2011)

Read more