Skip to main content

This Channing Tatum film is the most popular movie on Netflix. Here’s why you should watch it

Jamie Foxx has done it again. White House Down, an action film from 2013, is now the most popular movie on Netflix. And if you’ve confused White House Down with Olympus Has Fallen, another action flick from 2013, then it’s an easy mistake to make because both films essentially have the same premise. Terrorists have made a brazen attack on the White House, and only an unexpected hero can rise to save the President and the nation itself.

White House Down is far from a perfect movie, but there are at least three reasons why it’s great popcorn entertainment, and why it has earned its place at the top of Netflix‘s movie chart. Now, we’re going to tell you why you should watch White House Down so you can discover its charms for yourself.

Channing Tatum and Jamie Foxx give compelling performances

Channing Tatum and Jamie Foxx in White House Down.
Sony Pictures

White House Down is very dependent on its two leads, Channing Tatum and Jamie Foxx, to make the audience buy into the idea that a Capital policeman, John Cale (Tatum), can rise against all odds and put his life on the line to protect President James Sawyer (Foxx). Tatum and Foxx have natural charisma, and that allows them to seem genuine even when the script sometimes lets them down with less-than-stellar dialogue.

The rest of the supporting cast is also pretty strong, including Jason Clarke, The Dark Knight‘s Maggie Gyllenhaal, Richard Jenkins, and a young Joey King as Cale’s daughter, Emily. But James Woods deserves a special shout-out for his role as Martin Walker, a guy who is so despicable that the movie delivers one of its best moments when he gets what’s coming to him.

Action from the man behind Independence Day

Jamie Foxx in White House Down.
Image used with permission by copyright holder

Director Roland Emmerich has made his name in action-adventure films like Independence Day and Stargate, as well as big-budget disaster flicks like The Day After Tomorrow, 2012, and Moonfall. And Emmerich really seems to love blowing up things around the White House, and sometimes blowing up the White House itself as was the case in ID4.

If you’re coming to White House Down strictly for the action, then you won’t be disappointed. There’s more than enough spectacle to keep viewers entertained, and once the terrorists begin their initial attack, it’s never too long before someone is shooting or blowing something up. Compared to Emmerich’s other films, he’s almost restrained here. Almost.

It’s an unintentional comedic masterpiece

Joey King in White House Down.
Image used with permission by copyright holder

It’s important to note that White House Down is not a comedy, and whenever it tries to be funny, it often falls flat on its face. But there are times when the movie is absolutely hilarious simply by asking viewers to accept some of the most over-the-top scenes, including President Sawyer using a rocket launcher (second picture above) or Emily’s flag-waving scene (pictured directly above). Within the movie, these appear to be played straight as moments that the audience is supposed to erupt in applause. Instead, laughter is the only plausible response.

These bursts of unintentional comedy go a long way toward making White House Down more enjoyable. There’s an art to bad comedy just like there’s an art for making good comedy. White House Down is far from a great film, but embracing its ludicrous parts makes it a fun viewing experience.

White House Down is now streaming on Netflix.

Blair Marnell
Blair Marnell has been an entertainment journalist for over 15 years. His bylines have appeared in Wizard Magazine, Geek…
Mending the Line is Netflix’s most-watched movie right now. Here’s why you should watch it
Brian Cox, Sinqua Walls, and Perry Mattfeld in Mending the Line.

There's a new No. 1 film on top of the list of the most popular movies on Netflix. And it's not a thriller like Mel Gibson's Over the Line, or an action fantasy like Damsel. Instead, this week's most popular film on Netflix is Mending the Line, a low-budget film that stands apart from the standard streaming movies. And its budget doesn't get in the way of telling an extremely moving and emotional story.

Mending the Line had so little fanfare compared to other movies that it's genuinely surprising how quickly it found the type of audience on Netflix that eluded the film during its initial release in 2022. If you're looking to pick out something to see on your next movie night, these are the three reasons why you should watch Mending the Line on Netflix. You may even decide to take up fly fishing afterward.
Mending the Line has a fantastic cast

Read more
This massively popular 2023 movie pissed me off. Here’s why you shouldn’t watch it
A shadow of a man stands on a stage in Saltburn.

Overall, 2023 was a great year for movies. We had everything, from jaw-dropping epics like Oppenheimer to insightful fantasy masterpieces like All of Us Strangers. Yet, for every great movie, we also had some truly detestable efforts, from stinkers like Ant-Man and the Wasp: Quantumania to baffling rubbish like Ghosted. Yet, out of this pile of misery and waste, no 2023 movie pissed me off more than Saltburn, Emerald Fennell's psychosexual/psychological thriller starring Oscar-nominee Barry Keoghan.

As an unapologetic fan of Fennell's previous film, 2020's Promising Young Woman, I had high hopes for Saltburn. Yet, I was met with nothing but failure and ineptitude, courtesy of a film that is far too concerned with shocking viewers to deliver any semblance of genuine shock. Everything Promising Young Woman's detractors complained about is abundantly present in Saltburn, quite possibly the most desperate film I have seen in recent memory.
Nothing new under the sun

Read more
This 2023 movie should’ve been nominated for Best Picture. Here’s why you should watch it now
A man stands in a field in All of Us Strangers.

The 2024 Oscar nominations were announced nearly a month ago, with very few surprises in the lineup. There were the usual snubs and surprises, although the whole affair was remarkably predictable considering the narratives formed by that point in awards season. Even so, there was a truly heartbreaking omission across every major category, and that was Andrew Haigh's powerful, sorrowful fantasy drama All of Us Strangers.

Now, don't get me wrong. Few, if any, of us were expecting All of Us Strangers to make the cut — it's too quiet, too insightful, and too esoteric for the Academy's tastes. The thing is, it should've absolutely dominated the ceremony. It might not be an overstatement to call it the best movie of the year, give or take a Poor Things. And while the Academy paid All of Us Strangers no mind, you really shouldn't. It's a modern masterpiece deserving of your time and appreciation, and I'm about to tell you exactly why.
The superb acting

Read more